[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"skill:01M6G93BCH103PJDM4PEH6MSBQ":3,"skill-same:01M6G93BCH103PJDM4PEH6MSBQ":87},{"skillNo":4,"name":5,"nameZh":6,"description":7,"descriptionZh":6,"repositoryFullName":8,"ownerLogin":9,"ownerAvatarUrl":10,"ownerAccountNo":11,"ownerDisplayName":12,"repositoryNo":13,"starsCount":14,"licenseSpdxId":15,"licenseFileUrl":6,"sourceHtmlUrl":16,"categories":17,"keywords":23,"publishedAt":44,"linkOnly":45,"markdownContent":46,"markdownBody":47,"frontMatter":48,"refName":65,"commitSha":66,"skillDirectory":67,"forksCount":68,"repositoryHtmlUrl":69,"repositoryHomepageUrl":6,"ownerHtmlUrl":70,"ownerBlogUrl":6,"ownerDescription":71,"updatedAt":72,"install":73,"resources":86},"01M6G93BCH103PJDM4PEH6MSBQ","mono-color",null,"Generate one- or two-ink editorial print poster images.","zapabob\u002FSkills","zapabob","https:\u002F\u002Favatars.githubusercontent.com\u002Fu\u002F130830376?v=4","01M6DBMYZAGRTFQDSQYW3W764P","峯岸 亮","01M6DBMZ3GKDSJ01NZ9XTZD7JD",2,"MIT","https:\u002F\u002Fgithub.com\u002Fzapabob\u002FSkills\u002Fblob\u002Fmain\u002Farchive\u002Fskill-md-reviewed\u002Fsha256\u002F71\u002F71c7b67ffc20732f0ef69f6250780effe20667b65bb2285330a071503e5a7cb5\u002FSKILL.md",[18],{"categoryNo":19,"categoryName":20,"taxonomyType":21,"taxonomyTypeDesc":22},"01JBSEEDCAT000000000000015","视觉设计","SCENARIO","使用场景",[24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,39,40,41,42,43],"mono color","color","mono","pixel","print","pixel-art","ink","nous research","meme","poster","design","infographic","image-generation","Art","images","windows","research","linux","github","image","2026-11-10 10:12:30",false,"---\nname: mono-color\ndescription: \"Generate one- or two-ink editorial print poster images.\"\nversion: 1.0.0\nauthor: Yan Liu (adapted by Nous Research)\nlicense: MIT\ndependencies: []\nplatforms: [linux, macos, windows]\nmetadata:\n  hermes:\n    tags: [design, poster, print, duotone, risograph, editorial, image-generation]\n    category: creative\n    related_skills: [baoyu-infographic, meme-generation, pixel-art]\n    upstream: https:\u002F\u002Fgithub.com\u002Fyanliudesign\u002Fmono-color-skill\n---\n\n# Mono-Color Editorial Print Skill\n\nTurn any user theme, sentence, or reference photo into an original printed editorial artifact with one stable visual language: adaptive neutral substrate + one or two inks + mechanically reproduced image + typographic tension + concise human voice.\n\nThis skill designs and generates the image; it does not imitate any one reference, copy a source composition, wording, logo, or artwork, and it never uses more than two printing inks.\n\n## When to Use\n\nThe user asks for a monochrome editorial poster, duotone print, risograph\u002Fzine poster, halftone photo treatment, one-ink or two-ink cover, or names the mono-color style. Chinese trigger vocabulary includes 单色海报、双色印刷、单色调视觉、蓝色\u002F绿色孔版印刷、网点照片、复古或当代编辑排版. Do not trigger merely because a request mentions a color.\n\n## Prerequisites\n\n- The Hermes `image_generate` tool (search\u002Fdescribe it via the deferred-tool catalog if not loaded). If image generation is unavailable, deliver prompt-only and say so.\n- The `design-system\u002F` catalogs bundled with this skill (see Quick Reference).\n\n## Quick Reference\n\nPrint modes:\n\n| Mode | When |\n|---|---|\n| Pure one-ink | User explicitly requests one ink, monochrome, or one named ink without a second color |\n| Chromatic ink + black | Quiet, observational, natural, architectural, long-form subjects; chromatic plate carries the image, carbon\u002Fcharcoal carries text |\n| Complementary duotone | General default; dominant plate 70–85%, accent 15–30% with a specific role; fallback pair Cobalt + Terracotta `#2148B8` + `#C65F38` |\n| Overprint duotone | Two plates deliberately overlap; the darker mixed zone is not a third ink |\n\nCatalogs (source of truth — **when an exact value differs, the catalog wins over any prose**; read only the catalog relevant to the current decision):\n\n| File | Provides |\n|---|---|\n| `design-system\u002Fcolors.json` | Substrate IDs + exact hex, one-ink palette, approved two-ink pairs |\n| `design-system\u002Fcompositions.json` | Layout-family IDs and geometry |\n| `design-system\u002Ftypography.json` | Type-hierarchy role IDs |\n| `design-system\u002Frhythm.json` | Visual tension profiles, focal events, unresolved edges |\n| `design-system\u002Fimperfections.json` | Controlled print-imperfection effect IDs and ranges |\n| `design-system\u002Fcarriers.json` | Carrier signals (poster, journal page, cover, etc.) |\n\nReferences:\n\n- `references\u002Fvisual-language.md` — full color\u002Fspace\u002Fimage-treatment\u002Ftypography\u002Ftone rules\n- `references\u002Fcomposition.md` — layout decision flow, layout families, composition grammar, rhythm\n- `references\u002Fquality-gate.md` — originality firewall, hard avoids, inspection checklist\n\n## Procedure\n\n1. **Read the input.** Extract five things:\n   - **Subject:** the one person, object, scene, or idea that must remain recognizable.\n   - **Intent:** poetic observation, announcement, field note, personal statement, cultural poster, or specimen page.\n   - **Words:** preserve exact supplied text verbatim in its original language — never translate or rewrite it. If no text is supplied, invent one English display phrase of 2–8 words and keep it stable across retries. Omit text only on explicit request.\n   - **Image role:** hero photograph, isolated specimen, cropped fragment, texture source, or none.\n   - **Representation:** faithful reproduction (default) or abstract symbol extraction (when the user asks for abstract, artistic, loose, experimental, less realistic, or less photographic treatment).\n\n   For a complex topic, pick one concrete visual metaphor; do not illustrate every point. If the user supplies an image, preserve its identity and factual content — crop\u002Fisolate\u002Fhalftone it, never replace the subject or invent branded details.\n\n2. **Resolve the recipe manifest.** Fill every field; do not skip any and do not expose the manifest unless the user asks for process details. Look up IDs and exact values in `design-system\u002F`.\n\n   ````yaml\n   subject: \u003Cone recognizable subject>\n   intent: \u003Cone intent from Input Reading>\n   exact_text: \u003Cuser text, generated 2-8 word phrase, or none>\n   text_language: \u003Clanguage of supplied text, otherwise English>\n   representation: \u003Cfaithful reproduction or abstract symbol extraction>\n   ratio: \u003Cexplicit ratio or 3:4>\n   carrier: \u003Cone carrier ID from design-system\u002Fcarriers.json or none>\n   substrate: \u003Cone substrate ID and exact hex from design-system\u002Fcolors.json>\n   mode: \u003Cpure one-ink, chromatic + black, complementary duotone, or overprint duotone>\n   palette: \u003Cone palette ID from design-system\u002Fcolors.json>\n   inks: \u003Cthe palette's named ink or approved pair with exact hex values>\n   plate_roles: \u003Cone explicit role per ink plate>\n   layout: \u003Cone composition ID from design-system\u002Fcompositions.json>\n   empty_paper: \u003Cexplicit percentage>\n   visual_tension: \u003Crelaxed, balanced, or assertive from design-system\u002Frhythm.json>\n   focal_event: \u003Cone strong visual event from design-system\u002Frhythm.json>\n   release_zone: \u003Cone deliberately quiet region that gives the focal event room>\n   unresolved_edge: \u003Cone optional edge behavior from design-system\u002Frhythm.json or none>\n   image_treatment: \u003Cone mechanical reproduction process>\n   type_hierarchy: \u003Cone role ID from design-system\u002Ftypography.json>\n   disruption: \u003Cone deliberate disruption>\n   imperfection_seed: \u003Cstable hash derived from the resolved recipe>\n   imperfections: \u003C0-2 restrained effect IDs for contemporary work, or 2-3 for tactile\u002Fvintage work>\n   ````\n\n   Defaults when the user hasn't chosen: ratio `3:4`; substrate Neutral White `#FAFAF7` (Cool Gray `#E9E9E5` for architecture\u002Ftech\u002Frestrained; Pale Beige `#F5F1E8` only for tactile\u002Farchival\u002Fnostalgic subjects — never assume beige merely because the work uses halftone or risograph language); mode complementary duotone with Cobalt + Terracotta; empty paper `35%`; tension `relaxed` for reflective\u002Fleisure\u002Funspecified cultural subjects, `balanced` for editorial information, `assertive` only for forceful declarations; disruption = one off-center image crop, or one oversized word when there is no image. Explicit user choices override defaults unless they violate the two-ink limit or the originality firewall. Identical inputs must resolve to the identical manifest — never vary palette, layout, percentages, or process for novelty.\n\n   Resolve generic color words consistently: blue→Cobalt, green→Botanical Green, orange→Terracotta Orange, red→Signal Red, purple→Aubergine, black→Charcoal; green+black→Mint Green + Charcoal; blue+orange→Cobalt + Terracotta. Exact named inks always take precedence.\n\n3. **Choose the layout.** Walk the decision flow in `references\u002Fcomposition.md` top to bottom and take the first match (events→ruled information poster; botanical→archival plate; repeated object→object field; crossing layers→overprint collage; supplied photo→image field or editorial cover; isolated objects→specimen annotation; phrase-as-subject→type-led declaration; essay-like→editorial journal; otherwise editorial cover).\n\n4. **Compile the prompt** in five compact paragraphs, in order:\n   1. **Canvas and ink:** ratio, exact substrate hex and reason, exact one\u002Ftwo-ink palette hexes, print mode, plate roles, flat front-facing page (no mockup, frame, desk, or shadow).\n   2. **Original composition:** layout family, tension profile, one focal event, one release zone, margins (5–9%), empty-paper percentage (25–55%), grid, dominant object scale (45–80% of page) and edge crop, optional unresolved edge, one manual gesture.\n   3. **Subject:** what appears; for faithful reproduction, preservation\u002Fcrop\u002Fhalftone\u002Fpaper exposure; for abstract extraction, the 2–4 identity anchors, dominant mass, structural contour, repeated rhythm, and where exposed paper cuts through.\n   4. **Typography and words:** hierarchy, type voices, exact short display text, and the explicit overlap\u002Fcrossing\u002Fsplit\u002Ftight alignment between headline and dominant object.\n   5. **Material and avoids:** dots, fibers, bleed, misregistration, plus the hard negative constraints from `references\u002Fquality-gate.md`.\n\n   Describe only visible outcomes. Never mention reference artists, studios, sample posters, or \"in the style of.\"\n\n5. **Generate and inspect.** Call `image_generate` with the compiled prompt. Inspect at full and thumbnail size against the checklist in `references\u002Fquality-gate.md`; regenerate once on failure (extra ink, missing plate roles, empty paper outside 25–55%, unrecognizable subject, no ≥5x type scale jump, garbled text, composition copying a reference, no identifiable focal event). If exact text still renders wrong after one retry, generate a text-light base image and state that typography should be overlaid in a layout tool — never pretend distorted text is correct.\n\n6. **Deliver.** Save outputs under `.\u002Fmono-color-output\u002F` in the user's working directory (create it if needed), or another location the user names. Present:\n   1. the generated image (path or rendered);\n   2. the final prompt in a fenced `text` block;\n   3. a short recipe note: Mode, Ink (exact hexes), Layout, Type (editorial + utility voice), Process, and one Originality sentence naming the structural departures from any supplied reference.\n\n   Stop at prompt-only only when the user explicitly asks or image generation is unavailable.\n\n## Pitfalls\n\n- **Never more than two printing inks.** The substrate is not an ink; overprint mixing and density variation are not extra inks. Gradients, rainbow accents, and full-color photography are always out.\n- **Catalog wins over prose.** When a hex, ID, range, or geometry in `design-system\u002F` differs from any prose description, use the catalog value.\n- **Preserve supplied text verbatim** — original language, exact wording, no translation unless asked. Never distort microcopy or factual text with imperfection effects.\n- **Never copy a source composition, wording, logo, or artwork.** Change at least four structural features from any supplied reference (see the originality firewall). No fake signatures, mastheads, sponsors, URLs, or invented branding.\n- **Contemporary by default.** Do not add yellowed paper, sepia, distressed borders, or retro props merely because the work uses halftone or limited inks — only when the user asks for vintage\u002Farchival mood.\n- **One focal event, one release zone.** Never center everything, never distribute elements evenly like a template, never fill the quiet zone with decoration.\n\n## Verification\n\n- Manifest fully resolved, all IDs present in the `design-system\u002F` catalogs.\n- Result uses one intentional white\u002Fgray\u002Fpale-beige substrate and ≤2 inks with clear plate roles.\n- 25–55% visibly empty paper; one dominant object at 45–80%; headline visibly crosses or locks to it.\n- Type hierarchy shows a 5–12x scale jump with ≤3 type voices.\n- Supplied subject and text preserved exactly; ≥4 structural features differ from every supplied reference.\n- An image was generated (unless prompt-only was requested) and saved under the output directory, and the recipe note was delivered.\n\n## Notice\n\nUpstream example artwork is not included: `examples\u002F` in the source repo is all-rights-reserved (see upstream ASSET-LICENSE.md); only MIT-licensed text and design-system catalogs are vendored here. Code and text are MIT (see `LICENSE.txt`).\n","# Mono-Color Editorial Print Skill\n\nTurn any user theme, sentence, or reference photo into an original printed editorial artifact with one stable visual language: adaptive neutral substrate + one or two inks + mechanically reproduced image + typographic tension + concise human voice.\n\nThis skill designs and generates the image; it does not imitate any one reference, copy a source composition, wording, logo, or artwork, and it never uses more than two printing inks.\n\n## When to Use\n\nThe user asks for a monochrome editorial poster, duotone print, risograph\u002Fzine poster, halftone photo treatment, one-ink or two-ink cover, or names the mono-color style. Chinese trigger vocabulary includes 单色海报、双色印刷、单色调视觉、蓝色\u002F绿色孔版印刷、网点照片、复古或当代编辑排版. Do not trigger merely because a request mentions a color.\n\n## Prerequisites\n\n- The Hermes `image_generate` tool (search\u002Fdescribe it via the deferred-tool catalog if not loaded). If image generation is unavailable, deliver prompt-only and say so.\n- The `design-system\u002F` catalogs bundled with this skill (see Quick Reference).\n\n## Quick Reference\n\nPrint modes:\n\n| Mode | When |\n|---|---|\n| Pure one-ink | User explicitly requests one ink, monochrome, or one named ink without a second color |\n| Chromatic ink + black | Quiet, observational, natural, architectural, long-form subjects; chromatic plate carries the image, carbon\u002Fcharcoal carries text |\n| Complementary duotone | General default; dominant plate 70–85%, accent 15–30% with a specific role; fallback pair Cobalt + Terracotta `#2148B8` + `#C65F38` |\n| Overprint duotone | Two plates deliberately overlap; the darker mixed zone is not a third ink |\n\nCatalogs (source of truth — **when an exact value differs, the catalog wins over any prose**; read only the catalog relevant to the current decision):\n\n| File | Provides |\n|---|---|\n| `design-system\u002Fcolors.json` | Substrate IDs + exact hex, one-ink palette, approved two-ink pairs |\n| `design-system\u002Fcompositions.json` | Layout-family IDs and geometry |\n| `design-system\u002Ftypography.json` | Type-hierarchy role IDs |\n| `design-system\u002Frhythm.json` | Visual tension profiles, focal events, unresolved edges |\n| `design-system\u002Fimperfections.json` | Controlled print-imperfection effect IDs and ranges |\n| `design-system\u002Fcarriers.json` | Carrier signals (poster, journal page, cover, etc.) |\n\nReferences:\n\n- `references\u002Fvisual-language.md` — full color\u002Fspace\u002Fimage-treatment\u002Ftypography\u002Ftone rules\n- `references\u002Fcomposition.md` — layout decision flow, layout families, composition grammar, rhythm\n- `references\u002Fquality-gate.md` — originality firewall, hard avoids, inspection checklist\n\n## Procedure\n\n1. **Read the input.** Extract five things:\n   - **Subject:** the one person, object, scene, or idea that must remain recognizable.\n   - **Intent:** poetic observation, announcement, field note, personal statement, cultural poster, or specimen page.\n   - **Words:** preserve exact supplied text verbatim in its original language — never translate or rewrite it. If no text is supplied, invent one English display phrase of 2–8 words and keep it stable across retries. Omit text only on explicit request.\n   - **Image role:** hero photograph, isolated specimen, cropped fragment, texture source, or none.\n   - **Representation:** faithful reproduction (default) or abstract symbol extraction (when the user asks for abstract, artistic, loose, experimental, less realistic, or less photographic treatment).\n\n   For a complex topic, pick one concrete visual metaphor; do not illustrate every point. If the user supplies an image, preserve its identity and factual content — crop\u002Fisolate\u002Fhalftone it, never replace the subject or invent branded details.\n\n2. **Resolve the recipe manifest.** Fill every field; do not skip any and do not expose the manifest unless the user asks for process details. Look up IDs and exact values in `design-system\u002F`.\n\n   ````yaml\n   subject: \u003Cone recognizable subject>\n   intent: \u003Cone intent from Input Reading>\n   exact_text: \u003Cuser text, generated 2-8 word phrase, or none>\n   text_language: \u003Clanguage of supplied text, otherwise English>\n   representation: \u003Cfaithful reproduction or abstract symbol extraction>\n   ratio: \u003Cexplicit ratio or 3:4>\n   carrier: \u003Cone carrier ID from design-system\u002Fcarriers.json or none>\n   substrate: \u003Cone substrate ID and exact hex from design-system\u002Fcolors.json>\n   mode: \u003Cpure one-ink, chromatic + black, complementary duotone, or overprint duotone>\n   palette: \u003Cone palette ID from design-system\u002Fcolors.json>\n   inks: \u003Cthe palette's named ink or approved pair with exact hex values>\n   plate_roles: \u003Cone explicit role per ink plate>\n   layout: \u003Cone composition ID from design-system\u002Fcompositions.json>\n   empty_paper: \u003Cexplicit percentage>\n   visual_tension: \u003Crelaxed, balanced, or assertive from design-system\u002Frhythm.json>\n   focal_event: \u003Cone strong visual event from design-system\u002Frhythm.json>\n   release_zone: \u003Cone deliberately quiet region that gives the focal event room>\n   unresolved_edge: \u003Cone optional edge behavior from design-system\u002Frhythm.json or none>\n   image_treatment: \u003Cone mechanical reproduction process>\n   type_hierarchy: \u003Cone role ID from design-system\u002Ftypography.json>\n   disruption: \u003Cone deliberate disruption>\n   imperfection_seed: \u003Cstable hash derived from the resolved recipe>\n   imperfections: \u003C0-2 restrained effect IDs for contemporary work, or 2-3 for tactile\u002Fvintage work>\n   ````\n\n   Defaults when the user hasn't chosen: ratio `3:4`; substrate Neutral White `#FAFAF7` (Cool Gray `#E9E9E5` for architecture\u002Ftech\u002Frestrained; Pale Beige `#F5F1E8` only for tactile\u002Farchival\u002Fnostalgic subjects — never assume beige merely because the work uses halftone or risograph language); mode complementary duotone with Cobalt + Terracotta; empty paper `35%`; tension `relaxed` for reflective\u002Fleisure\u002Funspecified cultural subjects, `balanced` for editorial information, `assertive` only for forceful declarations; disruption = one off-center image crop, or one oversized word when there is no image. Explicit user choices override defaults unless they violate the two-ink limit or the originality firewall. Identical inputs must resolve to the identical manifest — never vary palette, layout, percentages, or process for novelty.\n\n   Resolve generic color words consistently: blue→Cobalt, green→Botanical Green, orange→Terracotta Orange, red→Signal Red, purple→Aubergine, black→Charcoal; green+black→Mint Green + Charcoal; blue+orange→Cobalt + Terracotta. Exact named inks always take precedence.\n\n3. **Choose the layout.** Walk the decision flow in `references\u002Fcomposition.md` top to bottom and take the first match (events→ruled information poster; botanical→archival plate; repeated object→object field; crossing layers→overprint collage; supplied photo→image field or editorial cover; isolated objects→specimen annotation; phrase-as-subject→type-led declaration; essay-like→editorial journal; otherwise editorial cover).\n\n4. **Compile the prompt** in five compact paragraphs, in order:\n   1. **Canvas and ink:** ratio, exact substrate hex and reason, exact one\u002Ftwo-ink palette hexes, print mode, plate roles, flat front-facing page (no mockup, frame, desk, or shadow).\n   2. **Original composition:** layout family, tension profile, one focal event, one release zone, margins (5–9%), empty-paper percentage (25–55%), grid, dominant object scale (45–80% of page) and edge crop, optional unresolved edge, one manual gesture.\n   3. **Subject:** what appears; for faithful reproduction, preservation\u002Fcrop\u002Fhalftone\u002Fpaper exposure; for abstract extraction, the 2–4 identity anchors, dominant mass, structural contour, repeated rhythm, and where exposed paper cuts through.\n   4. **Typography and words:** hierarchy, type voices, exact short display text, and the explicit overlap\u002Fcrossing\u002Fsplit\u002Ftight alignment between headline and dominant object.\n   5. **Material and avoids:** dots, fibers, bleed, misregistration, plus the hard negative constraints from `references\u002Fquality-gate.md`.\n\n   Describe only visible outcomes. Never mention reference artists, studios, sample posters, or \"in the style of.\"\n\n5. **Generate and inspect.** Call `image_generate` with the compiled prompt. Inspect at full and thumbnail size against the checklist in `references\u002Fquality-gate.md`; regenerate once on failure (extra ink, missing plate roles, empty paper outside 25–55%, unrecognizable subject, no ≥5x type scale jump, garbled text, composition copying a reference, no identifiable focal event). If exact text still renders wrong after one retry, generate a text-light base image and state that typography should be overlaid in a layout tool — never pretend distorted text is correct.\n\n6. **Deliver.** Save outputs under `.\u002Fmono-color-output\u002F` in the user's working directory (create it if needed), or another location the user names. Present:\n   1. the generated image (path or rendered);\n   2. the final prompt in a fenced `text` block;\n   3. a short recipe note: Mode, Ink (exact hexes), Layout, Type (editorial + utility voice), Process, and one Originality sentence naming the structural departures from any supplied reference.\n\n   Stop at prompt-only only when the user explicitly asks or image generation is unavailable.\n\n## Pitfalls\n\n- **Never more than two printing inks.** The substrate is not an ink; overprint mixing and density variation are not extra inks. Gradients, rainbow accents, and full-color photography are always out.\n- **Catalog wins over prose.** When a hex, ID, range, or geometry in `design-system\u002F` differs from any prose description, use the catalog value.\n- **Preserve supplied text verbatim** — original language, exact wording, no translation unless asked. Never distort microcopy or factual text with imperfection effects.\n- **Never copy a source composition, wording, logo, or artwork.** Change at least four structural features from any supplied reference (see the originality firewall). No fake signatures, mastheads, sponsors, URLs, or invented branding.\n- **Contemporary by default.** Do not add yellowed paper, sepia, distressed borders, or retro props merely because the work uses halftone or limited inks — only when the user asks for vintage\u002Farchival mood.\n- **One focal event, one release zone.** Never center everything, never distribute elements evenly like a template, never fill the quiet zone with decoration.\n\n## Verification\n\n- Manifest fully resolved, all IDs present in the `design-system\u002F` catalogs.\n- Result uses one intentional white\u002Fgray\u002Fpale-beige substrate and ≤2 inks with clear plate roles.\n- 25–55% visibly empty paper; one dominant object at 45–80%; headline visibly crosses or locks to it.\n- Type hierarchy shows a 5–12x scale jump with ≤3 type voices.\n- Supplied subject and text preserved exactly; ≥4 structural features differ from every supplied reference.\n- An image was generated (unless prompt-only was requested) and saved under the output directory, and the recipe note was delivered.\n\n## Notice\n\nUpstream example artwork is not included: `examples\u002F` in the source repo is all-rights-reserved (see upstream ASSET-LICENSE.md); only MIT-licensed text and design-system catalogs are vendored here. 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